Creating case studies of successful pathways to building ownership was an important part of the Stable Spaces research. They model strategies and tactics that we can learn from and repeat.…continue reading
Creating case studies of successful pathways to building ownership was an important part of the Stable Spaces research. They model strategies and tactics that we can learn from and repeat.…continue reading
The Stable Spaces report is the first significant national survey on the state of independently owned physical arts infrastructure in Aotearoa. The report examines what makes successful asset ownership in…continue reading
The purpose of the Stable Spaces survey was to establish an overview of how the arts are housed in Aotearoa, and how their housing supports their activities. Going into the…continue reading
The Whiria te Tāngata Social Impact Report 2024 highlights the impact of Creative Waikato’s pilot multi-community artist-in-residence program, aimed at improving social cohesion and community well-being through creative practice. The…continue reading
This review found that support for capacity building is useful, and enables the funder (in this case Trust Waikato) to increase its impact in the community, enhance non-profit sustainability, and…continue reading
Increasing complexities brought about by global crises are calling for us to actively disrupt and challenge the conceptual frameworks currently dominating cultural policy and theory. Creative ecology offers a new…continue reading
What is community circus, who is it for, what comes out of it and how can it be developed? These questions were the focus of a research project conducted from…continue reading
Aims to guide and inform Creative New Zealand, Auckland City Council and ASB Community Trust’s approach to engaging with Asian Aucklanders in the arts. Focuses on Chinese, Indian, Korean and…continue reading
This paper explores community-based cultural organisations that combine orientated objectives of community arts practice with commercially oriented creative industries. In New Zealand, these organisations are hampered by gaps in cultural…continue reading